Category: Review

  • Shadow of the Torturer – Gene Wolfe – Book of the New Sun

    Shadow of the Torturer – Gene Wolfe – Book of the New Sun

    Shadow of the Torturer – Gene Wolfe – Book of the New Sun

    This is my favourite book series. Not only does it have a strange plot, but the pacing swings from slow and thoughtful to a breakneck pace when needed, always keeping you your toes. This tale, spread across five books, is about Sevarian’s journey to find meaning for his life, world, and ultimately humanity. It is a journey of death, of half and hidden truths, and really interrogates what power is, who wields it, who has the right to wield it, and ultimately how fragile it is.

    The tale begins with Sevarian as a boy apprenticed to the torturers of the Citadel who has a violent encounter with corpse-eaters and revolutionaries. Bedazzled by a counterfeit coin, he is convinced that he now sits upon the side of Vodalus, the leader of the corpse-eaters. He grows and is given stewardship over Thecla, a political prisoner of the Autarch, and is given an education in culture and lust. It can not be said that Sevarian’s moral compass is not interesting. Upon his elevation into full membership of the guild, he is exiled for showing mercy to Thecla, and sets out for a far away post in Thrax. Upon his walk through the city in the garb of his guild, the guards plead with him to wear anything else to stop spreading panic.

    He stays in an inn where he must share a room with a Baldanders the giant and Dr. Talos. His dreams that night at of the deep waters and what may lie within them. In the morning looking for new clothes he is pounced upon by Agia and her brother, who wish to scam Sevarian of his wealthy equipment.

    Still reeling from the cultural shock of leaving his guild, Sevarian accepts a duel from a passing nobleman, and is mostly swept along by Agia as she helps him collect what he needs to participate. Which in this case is a violent alien flower that much be collected from a liminal greenhouse of alien spaces. On the way they crash through the Cathedral of the Pelerines and their alter, accidentally gaining a relic of great import, before arriving at the gardens. Within he walks within a rain forest, has a deep connection with a plain of sand and stone, and finally to an endless pool of preserved corpses where the Avern plant grows. Accidentally dropping his sword as they cross the lake, he plunges in, to return with the sword and a new amnesiac woman: Dorcas.

    With the scary plant in hand, they move to the Inn of Lost Loves, built in a great tree near the duelling grounds. Their waiter delivers a note with a great truth written upon it, hidden in plain sight as is Wolfe’s way.

    The duel arrives, and they fight by flinging deadly leaves at each other. Sevarian is mortally wounded and dies for perhaps the second time in this book but doesn’t. Awaking in the hospital of a guard outpost, completely recovered, he is summoned to execute his former opponent who murdered nine people as he fled their duel. The opponent is Agilus, Agia’s brother, doing his part of the scam. His performs his duty meticulously and professionally, leaving with Dorcas, coin, and a vengeful Agia hiding in the shadows.

    They come upon Baldanders and Talos again and join their wandering theatre troupe which delights in scaring their audience from their coin. Finally, we end the book with Sevarian leaving the walls of the city, Nessus, and losing his companions in the press of the crowds.

    Horror:  There are many elements in this book which are horrific, but none quite live up to the opening sections of the book where Sevarian is happily leading his life of a torturer’s apprentice. The casual way that excruciations are performed, not with cruelty, but with professionalism. The half boot. The revolutionary. Each described in detail enough to make your skin crawl. The later sections also have their horrors, such as the lake of corpses and the execution, but it is those which Sevarian relays from his childhood memories which really hit for me. 8/10

    Embodiedness: This book is written in the first person, but as an elder Sevarian looking back at his memories. It cuts closes to the bone where it is needed, but mostly it cuts close to his brain. Veering off to philosophical tangents and catechisms which half seem like he is convincing himself. It feels personal, yet also performative. But the text draws you in so you feel like you are there wrestling with his feelings as he is slighted by Thecla after ascendancy, as he trudges in glee at the beginning of his exile, and as he sees the psychedelic visions as his brain shuts down from Avern poison. 7/10

    Weirdness: You step back and just think about the world that Sevarian describes and the weirdness level skyrockets. Wolfe does a very good job at Sevarian not reacting to things which to him, are normal. That the citadel is a number of defunct rockets, that the city is enormous, that people must protect their corpses, that duels happen with giant plants. This is the reality of Sevarian’s world, and it is weird as hell. 9/10

    Narrative Complexity: The book is a masterclass in complexity. There is so much happening on the page and off the page, but the clues are there. Then there is the reread potential. Events of later books completely change the framing of this book, as it changes the framing of elder Sevarian entirely.

    One example that I find compelling, is the sentencing of Thecla. There are many hints that the prisoners will swap their sentences while they are being transported to the Tower. It is also a tenant of the guild that they follow orders without question. How difficult would it be for a young and angry Sevarian, recently slighted by the woman he was trying to impress, to fake some orders? He was certainly upset enough, given his red eyes were noticed by his fellow journeyman, who will be used to understanding their masked brethren by their eyes. Then there is the story of Dorcas, which we will cover during Claw and Lictor. 10/10

    HEWN: Overall, this story has everything I look for. It feels like you at the edge of your seat during the action, it forces you to think during the cerebral sections. We are close to Sevarian during his journey yet so much is hidden from us. Taking a step back from the whole series and looking at Shadow, a lot happen, yet it feels like the first few steps into the wider universe that Urth sites within. 34/40.

  • Hunter – Oliver Brackenbury – Whetstone Issue 6

    Hunter – Oliver Brackenbury – Whetstone Issue 6

    Hunter – Oliver Brackenbury – Whetstone Issue 6

    We join Litlöstá as she goes above and beyond to find that perfect shade of lip gloss. Aesthetic-forward, she puts on as much of a show as a hunt as she lures out a monster not of the surface world.

    Horror:  The Lion is spectacular. Multi-hued, covered in cilia, and blind. A creature of the underworld that has no teeth, yet has many sharp claws and a visceral way of eating its pray. 8/10

    Embodiedness: “Litlcöstá’s arsehole knotted at the sight” – this is a direct quote from the text, and through the story Brackenbury keeps us close to all five of Litlcöstá’s senses. The feel of her own body and breath are particularly well handled. 9/10

    Weirdness: The Lion itself is the cornerstone of the weirdness in this story, yet a group of children are happy to watch the hunt, which implies a level of normalcy to the act. In fact, as she tried to make it into a show it does lower the weird feel of the world. No escaping the weirdness of the Lion however. 4/10

    Narrative Complexity: The narrative is simple, with one main scene and two smaller following in a linear fashion. The little breaks of song throughout are a nice touch however, alongside the final reveal of her motive. 3/10

    HEWN: Overall, this story scores high on two of my categories and was a really enjoyable read. We feel like we’re sitting in Litlöstá’s head throughout, even when being hit by the Lion’s dork. 24/40.

  • Kane – The Undertow – Karl Edward Wagner

    Kane – The Undertow – Karl Edward Wagner

    Kane – The Undertow – Karl Edward Wagner

    Kane – The Undertow – Karl Edward Wagner

    Karl Edward Wagner’s undertow begins in a morgue, as Kane seeks out a body. What follows is a cycle of fear, loss, and lust.

    Dessylyn is trying to flee Kane, and crashes into a young pirate / mercenary / barbarian. His jealous rage brings sorcerous and demonic forces upon them both, and Dessylyn is retrieved for Kane to feed her a magical potion. 

    Repeatedly this happens, until at last Dessylyn manages to slip away.

    Horror: This is ultimately a story of abuse. Of a man so obsessed with his lust he will do anything to keep the object of his desire with him. Damn to the consequences to her and those around her. The undertow of his actions. KEW is clearly keeping on the proud CAS tradition of necrophilia. 6/10

    Embodiedness: This story follows Dessylyn closely, and while it is third person, we do get glimpses into her stream of consciousness, and the narrative follows her feelings, her fears, and her pleasures. Even if we as readers must endure KEW’s need to call breasts “cones”. This is a story about lust and aesthetics, and it is filtered through Dessylyn’s perceptions very well, for while the city is in the background, its gothic trappings are clear through her reactions to it. 8/10

    Weirdness: We have magic, necromancy, demonic summoning, alchemical potions, and inhuman strength. Kane is otherworldly and treats with those from other worlds. Magic is not just a few words, but bargains and pacts with entities beyond understanding. 7/10

    Narrative Complexity: While on a first read this could be seen as a linear narrative, it becomes clear that the scenes with Mavrsal are actually the last of a number of repeating loops as Dessylyn repeatedly tries to flee from Kane’s grasp. Kane’s own accusations that she is after Mavrsal’s magical sword and that she is not the innocent she claims only muddies the water. 7/10

    HEWN: Overall, this story scores medium-high on all of my categories and was a really enjoyable read. Emotionally centred, yet with fast action when it happens. It revelled in its own anticipation. 28/40.